PANAGIOTIS KAROUSOS
PROMETHEUS BOUND
Starring:
Prometheus:
Vasileios Asimakopoulos, bass
Io/Goddess
Athena: Irene Konsta, soprano
Ocean/Hermes:
Anastasios Stellas, tenor
Via/Oceanide:
Maria Lyberakou, soprano
Goddess
Hera: Vanessa Kalkanis, soprano
Rania Zetta, viola - Vivi Kleisoura, piano
Directed by Vasileios Asimakopoulos
Production by Hellenic
American Center
of the Arts
PROMETHEUS BOUND AT THE OLYMPIEION
SATURDAY 27 SEPTEMBER 2014
Columns of the Olympian Zeus
(Vassilisis Olgas Av., Athens )
Time: 8:30pm
European Heritage days in Greece 2014
«The Faces of Time»
Hellenic Ministry of Culture
Few words
about the opera “Prometheus Bound” by Panagiotis Karousos
Vasileios Asimakopoulos, Irene Konsta |
Based on
Aeschylus tragedy “Prometheus Bound” by Panagiotis Karousos first premiered in Montreal , Canada
in 1994 and played in French until 2000.
In 1998 the work presented in Los Angeles
at Beverly Hills City Hall with a great success. In 2008
represented in New York and Washington
in English under the direction of maestro Grant Gilman, and American soloists
from the opera of New York .
The opera impressed with the high lyricism and characterized as a divine music
composition work. In Greece Prometheus Bound presented at the Municipal
Theatres of Athens , Salamina, Argostoli,
Lixouri, Ithaca ,
Cholargos, Chalkis, at the Concert Hall of the Greek Writers, in “Parnassos”
Concert Hall, in the Old Parliament House, at the Theatre Veakeio, and the
Theatre “Jenny Karezi”. In 2013 bass Vasileios Asimakopoulos did unforgettable
presentations of the opera as a director and leading role at the Little Theatre
of Ancient Epidaurus, the Ancient Theatre Ekklesiasterion (Odeon) in Ancient
Messene, the Ancient Agora at the Ancient Site of Acropolis, and the National
Archeological Museum of Greece, and performed the main arias of the opera at
“Parnassos” Concert Hall conducted by E. Kalkanis.
Panagiotis
Karousos is a renowned Greek-Canadian composer who brings to his music the
philosophy and spiritualism of the Greek classics. He successfully presented
all his operas (Prometheus, Olympic Flame, Alexander the Great, Light of
Christianity) around major North American cities. His Symphony No.1 “Liberty ” presented in New York with the Astoria Symphony and
maestro Silas Nathaniel Huff. His Piano Concerto No.1 performed in Montreal Canada
under the auspices of UNESCO in 2000. Also his Symphony No.2 “Olympic” performed
in Notre-Dame Basilica of Montreal
with the OSJL-L Symphony Orchestra under the direction of Andre Gauthier. Recently
the Symphony Orchestra of the City of Athens
conducted by E. Kalkanis premiered his Symphony No.4 “Earth” (February 2014).
The Temple
of Olympian Zeus also known
as the Olympieion or Columns of the Olympian Zeus, is a colossal
ruined temple in the centre of the Greek capital Athens that was dedicated to Zeus, king of the Olympian gods. Construction began in the 6th
century BC during the rule of the Atheniantyrants, who envisaged building the greatest temple in
the ancient world, but it was not completed until the reign of the Roman
Emperor Hadrian in the 2nd century AD some 638
years after the project had begun. During the Roman periods it was renowned as the largest
temple in Greece
and housed one of the largest cult statues
in the ancient world.
European Heritage Days. Council of Europe , European Union.
Every year in September, the
50 signatory States to the European Cultural Convention take part in the
European Heritage Days – a joint action of the Council of Europe and the
European Commission, putting new cultural assets on view and opening up
historical buildings normally closed to the public. The cultural events
highlight local skills and traditions, architecture and works of art, but the
broader aim is to bring citizens together in harmony even though there are
differences in cultures and languages.
Each year,
national and regional events are organised around a special theme. These themes
vary in each country from year to year. They include such topics as:
- specific
forms of heritage (e.g. farmhouses, musical instruments, culinary traditions,
garden architecture);
- specific
periods in history (e.g. the Medieval heritage, the Baroque heritage);
- society's
approaches to heritage (e.g. heritage and citizenship, heritage and youth).
The Council
of Europe and the European Commission encourage the selection of trans-national
themes which can be illustrated by cross-border activities that are jointly set
up by the different countries.
Since 1999, the European Heritage Days have a permanent
slogan: "Europe, a common heritage".
The joint action of the Council of Europe and the European
Commission, in close cooperation with the group of national coordinators
ensures the success of the European Heritage Days.
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